The Cathedral of the Lost
A strange shrine to what once was, this ancient monument is carved literally out of a mountain on the farthest northern edge of the mountains. Beyond it lay the foothills that lead to the ice fields of the true north. It is a barren bleak place unheated and desolate. Hardly any but dragons even know of its existence and even dragons rarely come here.
The Cathedral itself is as cold and rocky as the mountain it inhabits. From the outside there is little evidence of existence especially on approaches from the south. Only a small narrow winding trail leading up to a pair of massive stone doors hewn straight from the mountain give any side of anything being there at all. The doors are decorated with depictions of fierce dragons that have no match to any of the current speices known to inhabit Autumnhold. Their size towers far beyond even the greatest dragons' height and would be nigh movable to anything short of small army of men or several power dragons. They have stood ever so slightly ajar for centuries now allowing man sized creatures or smaller to slip in.
Inside is dark. Giant pillars tower up into the darkness above ending where noone on the ground can see. Each pillar is a highly stylized version of strange, nearly demonic, dragons similiar in vein to those on the door. Their wings spread out to touch their neighbors wings in spans that surpass their height in width. Around each of these pillars are smaller forms, in various sizes and shapes, of demonic looking beings who seem to watch any who enter while standing gaurd around the base of their given pillar.
The inside appears to be one great nave that stretches literally through the entire mountain on a north-south axis. From the south doors a dim light can be seen at the far end of the cathedral. As one approaches two giant stain glass windows slowly come into focus. A great arched window of stained glass towers up into the dark topped far above by a rose window of equal width. The towering arched window depicts a giant white dragon reaching up as if to grasp the rose window. It appears to be strained as far as it can reach with the rose window just out of reach. In large plain letters below the dragon reads: "Semper Contingere" (To Reach Forever). Surrounding the dragons are broken towers which are depicted in such a way as to seem if almost metallic. All are fallen and ruined. The rose window depicts a sphere with great patches of blue, brown continents, and white wisping clouds. Any observer from Earth would recognize a badly rendered globe centered roughly on Europe.
At the base of this window and about 5 meters from it the floor is raised up by about half a meter. On the very edge of this raised platform sits a statue of a normal grey wolf. It is sitting looking directly south away from the stained glass its head hung low as if in pity and great sadness for some event. When the windows are lit it casts an incredibly long shadow into the gloom.
All lighting comes from the two great windows although it is not much considering how far north the cathedral lies. Yet at least once a year the sun is strong enough and angled such that the shadow of the wolf carries across the entire nave all the way to the great doors. Much of the time the chamber is barely visible at all and the shadows all blend into one dark mass.
For all its grand gothic appearance the Cathedral of the Lost shows obvious signs of neglect. Huge boulders and chunks of masonry dot the floor. Many of the pillars are beginning to crumble. Only the great windows and the statue of the wolf remain in pristine condition.
This is the home of the Lost.
The Cathedral itself is as cold and rocky as the mountain it inhabits. From the outside there is little evidence of existence especially on approaches from the south. Only a small narrow winding trail leading up to a pair of massive stone doors hewn straight from the mountain give any side of anything being there at all. The doors are decorated with depictions of fierce dragons that have no match to any of the current speices known to inhabit Autumnhold. Their size towers far beyond even the greatest dragons' height and would be nigh movable to anything short of small army of men or several power dragons. They have stood ever so slightly ajar for centuries now allowing man sized creatures or smaller to slip in.
Inside is dark. Giant pillars tower up into the darkness above ending where noone on the ground can see. Each pillar is a highly stylized version of strange, nearly demonic, dragons similiar in vein to those on the door. Their wings spread out to touch their neighbors wings in spans that surpass their height in width. Around each of these pillars are smaller forms, in various sizes and shapes, of demonic looking beings who seem to watch any who enter while standing gaurd around the base of their given pillar.
The inside appears to be one great nave that stretches literally through the entire mountain on a north-south axis. From the south doors a dim light can be seen at the far end of the cathedral. As one approaches two giant stain glass windows slowly come into focus. A great arched window of stained glass towers up into the dark topped far above by a rose window of equal width. The towering arched window depicts a giant white dragon reaching up as if to grasp the rose window. It appears to be strained as far as it can reach with the rose window just out of reach. In large plain letters below the dragon reads: "Semper Contingere" (To Reach Forever). Surrounding the dragons are broken towers which are depicted in such a way as to seem if almost metallic. All are fallen and ruined. The rose window depicts a sphere with great patches of blue, brown continents, and white wisping clouds. Any observer from Earth would recognize a badly rendered globe centered roughly on Europe.
At the base of this window and about 5 meters from it the floor is raised up by about half a meter. On the very edge of this raised platform sits a statue of a normal grey wolf. It is sitting looking directly south away from the stained glass its head hung low as if in pity and great sadness for some event. When the windows are lit it casts an incredibly long shadow into the gloom.
All lighting comes from the two great windows although it is not much considering how far north the cathedral lies. Yet at least once a year the sun is strong enough and angled such that the shadow of the wolf carries across the entire nave all the way to the great doors. Much of the time the chamber is barely visible at all and the shadows all blend into one dark mass.
For all its grand gothic appearance the Cathedral of the Lost shows obvious signs of neglect. Huge boulders and chunks of masonry dot the floor. Many of the pillars are beginning to crumble. Only the great windows and the statue of the wolf remain in pristine condition.
This is the home of the Lost.